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LENKA UDOVICKI Graduated from thè Facuity of Dramatic Arts in Beigrade and began her career in thè major theatres in Beigrade and regional theatres of former Yugoslavia (Zenska и sarenim suknjama by M. Bjelic, Molitva za malko srece by S. Andelic and L. Udovicki, Катета muzika by Arthur Kopit, Smrtonosna motoristika by A. Popovic, Opera za dva diñara by B. Nusic in her own adaptation, Mother Courage by B. Brecht in adaptation of Borislav Vujcic, Antigono by Dusan Jovanovic). In 1994 she joined Vanessa Redgrave, Corin Redgrave, Kika Markham and Ekkehart Schall as a cofounder and one of thè artistic directors of thè Moving Theatre Company. For thè Moving Theatre she directed Waterfall by V. Stevanovic and thè Pire risers by Max Frisch with Francés de la Tour (Riverside Studios), The Cónsul by G. Menotti (Leighton House), Workshops ofLemonade by Ève Ensler (Chelsea Centre and The King's Head). Recently she directed History's Rhyme for ENO Studio at thè London's Limelight Club, The Tempest by William Shakespeare in Shakespeare's Globe Theatre and world premiere by opera A Setter Place by Martin Buttler in English National Opera. For thè Ulysses Theatre Lenka directed King Lear, Medea, Marat/Sade and Core Sample.

TENA STIVICIC was borri in Zagreb in 1977. She graduateci from thè Dramaturgy Departement at Zagreb Facuity of Dramatic Arts and earned her MFA in dramaturgy at Goldsmith College, University of London. The awarded plays You Can't Run Away from Sunday, Parsifal, Shhh, Two and Fragile are performed in Croatia and abroad, and were translated into several languages. ZLATKO KAUZLARIC - ATAC was born in 1945 in Koprivnica, in thè Family of Ivan Kauzlaric and Stefanija Forenbacher. In 1964 he graduated from high school and entered thè Academy of Fine Arts in Zagreb. During bis studies, he was involved in amateur theatre as an actor, director, musician, and pantomime performer. In 1968 he becomes an associate in thè Master Workshop of Krsto Hegedusic untìl 1973, when he becomes an assistant professor at thè Academy of Fine Arts, where he stili Works today as a tenured professor and, until recently, dean. Since thè 1970's he is involved increasingiy more in set and costume design, and until today he has done almost 200 set designs. As a director, in 1996 in HNK Ivan pi. Zajc he staged thè opera Rigoletto, which received numerous awards. As a painter, he exhibited his artwork in a series of group and about sixty individuai exhibitions in thè country and abroad, and for that he also received numerous awards and recognitions. For Theatre Ulysses he created set design for performances Marat/Sade, Play Becken, Core Sample and Hamlet. BJANKA ADZIC - URSULOV is thè author of over 160 costume designs and 40 set designs in all thè major theatres in this región and abroad. Resides ballet, opera and drama, she worked a lot on film. Among many theatres in which she worked we can single outthe Slovenian National Theatre in Ljubljana (Opera, Ballet and Drama), Stadttheater Konstanz, Opera Köln and Tanz Forum from Köln, Companie Josef Nagy, Centre choréographique national d'Orléans, Comédie de Saint-Etienne, Compagnie Josef Nadj-Théàtre de la Ville-Paris, Festival d'Avignon, Vidy-Lausanne, ORF - Vienna Opera and Ballet in Austria, Shakespeare's Globe Theatre in London. She also created costume design for two ballet productions on theVenice Biennale, and currently she is a permanent associate to Jochen Urlich in Landes Theater in Linz, She is thè author of numerous exhibitions, drawings and installations. German theatre Journal "Theater heute", atthe recommendation of theatre critic Heinz Klunker, for her costume design for thè performance Bluebeard for Stadttheater Konstanz, included her in thè ten best costume designers who work in Germany. In 1983 she received thè Metod Badjura Award for costume design in thè film Butnskala. In 1997 she received Presero Award. She is thè recipient of many other awards. For thè Theatre Ulysses she created costumes for performances Medea, Marat/Sade, Playßeckett, Core Sample and Hamlet.