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e Akademija umetnosti, Beograd, Srbija BITI IL! NE BITI ŽENA Šekspir kroz pokret Ideja: Marica Vuletić Naumović, redovna profesorka Kolektivna režija »1 19. septembar, 17:00 Ustanova kulture „Vuk Karadžić" (Seena „Kult”) Trajanje 55’

• Arts Academy, Belgrade, Serbia TO BE OR NOT TO BE A WOMAN Shakespeare through movement Idea: Marica Vuletić Naumović, Senior Lecturer Collective Directing ►И September 19 th , 17:00 Cultural Institution "Vuk Karadžić" ("Kult" Stage) Duration: 55'

Počelo je kao obavezna studentska vežba Šekspir kroz pokret - Mišolovka iz Hamleta na času scenskog pokreta na trecoj godini glume na Akademiji umetnosti u Beogradu. Istraživanje i otkrivanje žene и Šekspirovim komadima ргеко telesne ekspresije dovelo je do uobličavanja scenskog prikaza koji se bavi značenjem žene i njenom ulogom, njenim vrlinama i manama, snagom i slabošću, lepotom i inspiradjom. Biti Hi ne biti žena preoblikuje u pokret ono što Sekspir kroz ženu kaže u tragedijama Hamlet, Otelo, Antonije i Kleopatra, Romeo i Jullja i Magbet. Želja je bila da snaga telesnog izraza prati poeziju Sekspirovih red. Igraju: Joana Knežević, Ana Bauk, Jelena Bosanac

It commenced as compulsory student's exercise Shakespeare through movement -Mousetrap from Hamlet, during the scenic movement lesson on the 3 rd year of acting studies on Arts Academy in Belgrade. Exploration and revealing a woman in Shakespeare's works through corporal expression lead to forming a performance on the importance of woman and her role, her positive and negative traits, strength and weakness, beauty and inspiration. To be or not to be a woman transforms into movement what Shakespeare expresses through a woman characters in the tragedies Hamlet, Othello, Anthony and Cleopatra, Romeo and Juliet and Magbet. The desire was that the strength of corporal expression reflect the poetic of Shakespeare's words. Performed by: Joana Knežević, Ana Bauk, Jelena Bosanac

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