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20. SEPTEMBAR / 20:00 Kulturni centar Beograda, Galerija Artget KULTURNI CENTAR BEOGRADA NOČNI DNEVNIK, 1985-1991 AUTOR: JAN FABRE Jan Fabr (Antverpen, 1958) jedan je od najinovativnijih i najsvestranijih umetnika današnjice u oblasti performansa, pozorišta i vizuelnih umetnosti. No, njegov krajnji modus izražavanja čine njegovi tekstovi, Počeo je da eksperimentiše sa jezikom i granicom između književnih tekstova i drugih umetničkih formi još kao veoma mlad, To se najbolje vidi u njegovim Nočnim dnevnicima, koji čitaocu pružaju jedinstven uvid u način razmišljanja mladog umetnika. Uhvativši u zaimku noč sa svim svojim uzbudljivim intenzitetom, Jan Fabr u Nočnim dnevnicima slavi i maštu i instinkt. Njegovi „noč lice" i „mesec maska" pojavljuju se u raznim oblicima, a um mu je u svakom času budan u ovoj poetskoj zbirci snova, nočnih mora i fantazija. Fabr nas mami u svoj svet u kojem vodi bitku za konačnu lepotu i prikuplja svoju prošlost kako bi napisao scenario svoje budučnosti. Nočni dnevnici pružaju jedinstven, nelakiran pogled na nesputanu umetničku praksu. Posle prvog Nočnog dnevnika (1978-1984), sada je objavljen i drugi Nočni dnevnik (1985-1991). I njegov raniji zapis, kao i ovaj zreliji rad, proizvodi su Fabrovih razmišljanja i opsesija. Oni ne samo što nude teme i filozofska pitanja što fasciniraju autora več i jasno pokazuju da je život koji se živi do krajnjih granica žestok i pun uživanja, kao i da on može doneti raskošan, ali ponekad i maglovit doživljaj čiste lepote. „Preporuka za svakog ko bi radije prosto spavao noču, ali ko takode želi da upozna čoveka iza umetnika." De Morgen
20 th SEPTEMBER / 20:00 Belgrade Cultural Centre, Artget Gallery BELGRADE CULTURAL CENTRE NIGHT DIARY 1985 -1991 AUTHOR: JAN FABRE Jan Fabre (Antwerp, 1958) is considered one of today's most innovative and versatile artists in the domain of performance, theatre and visual arts. However, his ultimate mode of expression is constituted by his texts. He started experimenting with language and the border between literary texts and other art forms at a very young age. This is most clearly reflected in his Night Diaries, where he gives the reader a unique insight into the mind of a young artist. Entrapping the night in its electrifying intensity, Jan Fabre celebrates both imagination and instinct in his Night Diaries. His ‘nightface' and ‘moonmask’ come in many shapes and his mind is vigilant at all times in this poetic compilation of dreams, nightmares and fantasies. Fabre lures us into his universe, where he fights a battle for the ultimate beauty, and where he gathers his past to write the scenario of his future. The Night Diaries offer a unique, unvarnished look into an unconstrained artistic practice. After the first Night Diary (1978-1984), the second Night Diary (1985-1991) is now published. Both his earliest writings and the more deliberately composed work are products of Fabre's thinking and obsessions. Not only do they offer themes and philosophical questions that fascinate the author, they also embody the violence and indulgence of living to the fullest, and the exuberant, sometimes dim experience of pure beauty, “A recommendation for everyone who would rather just go to sleep at night but also wants to meet the man behind the artist.” De Morgen