Bitef

13. septembar / i 7; 00, 20:00 SAVA CENTAR Trajanje: Ih 10' (bez pauze)

September 13 th / 17:0 o, 20:00 SAVA CENTRE Running time: Ih 10' (without interval)

SCENOGRAFIJA I KOSTIMOGRAFIJA / SET AND COSTUME DESIGN: Dunja Zupančič INTROVIZIJA / INTROVISION: Janez Pipan DRAMATURGUA / DRAMATURGY: Tery Žeželj MUZIKA / MUSIC: Dario Seraval KOREOGRAFIJA / CHOREOGRAPHY: Marko Mlačnik, Ivan Peternelj DIZAJN DIGITALNIH KONSTRUKCUA / DESIGN OF DIGITAL CONSTRUCTIONS: Boris Balant ANIMACIJA DIGITALNIH KONSTRUKCUA / ANIMATION OF DIGITAL CONSTRUCTIONS: Gregor Balog LEKTOR / LANGUAGE CONSULTANT: Mateja Dermelj DIZAJN SVETLA / LIGHT DESIGN: David Cvelbar DIZAJN ZVUKA / SOUND DESIGN: Jure Vlahovič ŠMINKA / MAKE-UP ARTIST: Nathalie Horvat ASISTENT REDITELJA / ASSISTANT DIRECTOR: Anže Rogelja ASISTENT PRODUKCIJE / PRODUCTION ASSISTANT: Jera Topolovec INSPICIJENT / STAGE MANAGER: Liam Hlede

POSEBNA ZAHVALNOST ZA / SPECIAL THANKS TO: dr. Tatjana Rojc, Dunja Nanut and dr. Kaja Širok UČESTVUJU / WITH: Primož Bezjak, Damjana Černe, Sara Dirnbek, Ivan Godnič, Jure Henigman, Željko Hrs, Uroš Maček, Maruša Oblak, Ivan Peternelj, Robert Prebil, Ivan Rupnik, Romana Šalehar, Luka Bokšan, Darjan Anej Fras, Benjamin Jeram, Jan Kmet, Aljaž Mamie Lebar, Žiga Mlakar, Blaž Novak, Gašper Šenica, Aljaž Vidmar, Pino Zupančič i Oktet Fakulteta umetnosti / and The Faculty of Arts Octet (Žan Augustinčič, David Farčnik, Blaž Fideršek, Mate) Kurinčič, Andrej Novinec, Juš Šoltes, umetnički direktor / artistic director dr. Tjaša Ribizel)

DIREKTOR SLOVENSKOG MLADINSKOG GLEDALIŠČA / MANAGING DIRECTOR OF THE MLADINSKO THEATRE: Tibor Mihelič Syed UMETNIČKI DIREKTOR SLOVENSKOG MLADINSKOG GLEDALIŠČA /ARTISTIC DIRECTOR OF THE MLADINSKO THEATRE: Goran Injac DIREKTOR CENTRA ZA URBANU KULTURU „KINO ŠIŠKA" / GENERAL MANAGER OF THE KINO ŠIŠKA CENTRE FOR URBAN CULTURE: Simon Kardum

FOTOGRAFIJE / PHOTOGRAPHY: Nada Žgank

REČ SELEKTORA

Dragan Živadinov, jedna od najvažnijih figura slovenačke umetničke scene osamdesetih godina 20. veka, naglo je i neočekivano prekinuo svoje višedecenijske, radikalne eksperimente s projektima u bestežinskom stanju ili sa „inkapsuliranjem" umetničkog opusa svojih preminulih glumaca u satelite, koji će biti lansirani u kosmos, i najčvršće moguće aterirao na zemlju. To je učinio zato što je snažno osetio i nedvosmisleno zaključio da se u današnjem svetu nameće jedna jedina relevantna tema; povampirenje nacizma (ili kako god da eufemistički preimenujemo aktuelne pojave desnog populizma i ekstremizma, ksenofobije, neliberalnih demokratija ). Tako je nastala predstava Odilo. Zatamnjenje. Oratorijum, koja upozorava na dotične pojave ukazivanjem na njihove preteče (ili analogije) iz prošlosti, konkretno na lik Odila Globočnika: Slovenca koji je bio jedan od ljudi od najvećeg Hit-

CURATORS’ WORD

Dragan Živadinov, one of the most important figures of the Slovenian art scene during the 80’s, has abruptly and unexpectedly interrupted his decades-long radical experiments with projects in zero-gravity state and “encapsulation” of the art opuses of his deceased actors into satellites to be launched into space, and has landed firmly onto the ground. What led him to that decision was a powerful and unmistakable realization that the world faces only one relevant topic today: the rise of Nazism (or whichever euphemistic term might be applied to the right-wing populism and extremism, xenophobia, non-liberal democracies and other phenomena evident nowadays). That is how the performance Odilo. Obscuration. Oratorio, was created, warning us about those very things by pointing at their forerunners (or analogies) from the past. Specifically, at Odilo Globočnik: a Slovenian who was