Bitef

28 th 09.

The assassination of Đinđić should be observed from Đinđić’s point of view. The truth is not, therefore, in the motives for the murder of the prime-minister, but in the results of this murder. Enough talk about the culprits of the assassination, let us talk of those who benefited from it. The play To Kill Zoran Đinđić is a revenge aimed at all those who desired his death and took advantage of it. They should be mocked to death, since they are doing everything to keep the citizens of Serbia unhappy and gloomy. The play is like a dream, the one from which we wake up from our own laughter. The waking up is a nightmare in itself, because we are waking up in a barren reality, with no future for the ones we love. Here and now we want to achieve irony that can celebrate with a vengeance over the dread. We want to cheer up Đinđić’s shadow.

22:00

METALEX HALL (THE CORNER OF KNEŽOPOLJSKA AND DUNAVSKA STREET)

CREDITS:

After play by Rajko Đurić and Zlatko Paković Adaptation and Direction: Zlatko Paković Performers: Emina Elor, Jovana Stipić, Milijana Makević, Igor Filipović, Bojan Dimitrijević, Nikola Đuričko Set up Design: Nikola Džafo Coreography; Andrea Kulešević Composer: Božidar Obradinović Accompaniment: Lazar Novkov and Emi Saks Musicians: Zoran Tegeltija, Nenad Zelić and Lazar Novkov Song Lyrics: Tomislav Marković Light Design: Mirijana Ris Graphic Design: Vladimir Strajnić Technicians: Zoran Pilić, Nenad Bukin, Igor Todorović, Aleksandar Pavlov Photography: Petar Mirosavljević English Translation: Jelena Labudović Producers: Zdravko Vulin, Aleksandrar Oparnica, Nemanja Vuković, Jovan Gvero, Slađana Vučković Production: Student Cultural Centre Novi Sad

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