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X 29. SEPTEMBAR, 20:00 Jugoslovensko dramsko pozorište Elfride Jelinek X NORA! ŠTA SE DOGODILO NAKON ŠTO JE NORA NAPUSTILA MUŽA ILI STUBOVI DRUŠTAVA Režija: Snežana Trišić Igraju: Nataša Tapušković, Branislav Lečić, Vojin Ćetković, Nataša Ninković, Nebojša Milovanović, Bojan Dimitrijević, Anđelika Simić, Goran Daničić, Branko Cvejić, Branka Petrie, Vesna Stanković, Andrijana Oliverić, Marko Janketić Prevod: Jelena Kostić Tomović; Dramaturg: Periša Perišić; Scenograf: Darko Nedeljković; Kostimograf: Maja Mirković; Kompozitor: Irena Popović; Koreograf: Sonja Vukićević; Scenski govor: Ljiljana Mrkić Popović Komad Šta se dogodilo nakon što je Nora napustila muža ill Stubovi društava austrijske nobelovke Elfride Jelinek, svojevrsni je nastavak ali i parafraza dveju Ibzenovih drama Nora (Lutkina kuća ) i Stubovi društva, koji prati ~razvojni put" More Helmer, nakon što je ostavila muža, kroz

pozorišni kaleidoskop muških projekcija/fantazama o ženi u ulozi supruge, majke, radnice, umetnice, Ijubavnice, prostitutke, konkubine, domino-dame i konačno, poslovne žene, Hoće li Nora uspeti da ostvari svoju želju i žudnju za samoostvarenjem, ili će morati da prihvati sudbinu koju joj je odredila istorija dramskog teatra? Hoće li uspeti da ispuni svoje planove ili će morati da se pomiri sa mestom koje joj je namenilo savremeno potrošačko društvo?

X SEPTEMBER 29 th , 20:00 Yugoslav Drama Theatre Elfriede Jelinek X NORA! WHAT HAPPENED AFTER NORA LEFT HER HUSBAND OR THE PILLARS OF SOCIETIES Director: Snežana Trišić Cast: Nataša Tapušković, Branislav Lečić, Vojin Ćetković, Nataša Ninković, Nebojša Milovanović, Bojan Dimitrijević, Anđelika Simić, Goran Daničić, Branko Cvejić, Branka Petrie, Vesna Stanković, Andrijana Oliverić, Marko Janketić Translation: Jelena Kostić Tomović; Dramaturge: Periša Perišić; Set designer: Darko Nedeljković; Costume designer: Maja Mirković; Composer: Irena Popović; Choreographen Sonja Vukićević; Diction; Ljiljana Mrkić Popović The play written by Austrian Nobel Prize winner, Elfriede Jelinek What Happened After Nora Left Her Husband or The Pillars of Societies is a sui generis sequel and a paraphrase of two Ibsen’s dramas Nora (A Doll’s House ) and The Pillars of Society following the ‘development path’

of Nora Helmer after she left her husband, in a theatrical kaleidoscope of male projections/fantasies about the woman as a wife, mother, worker, artist, lover, prostitute, concubine, domino-lady and finally a businesswoman. Will Nora manage to make her desire and craving for self-realisation come true or will she have to accept the destiny determined for her by the history of drama theatre? Will she manage to complete her plans or will she have to come to terms with the place preset for her by the contemporary consumer society?

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