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reality, in place of which the entire ensemble and authors demand seriousness and analytical approach in the perception of societal criminal.” Nataša Govedić, Novi List

“In the first 15 minutes, we are confronted with a frightening allegory of the pigsty-state where conservative “elite” gets high on nation, religion, cocaine and money, not necessarily in that order...” Boris Rašeta, Express

"Many Frljić’s performances emanate anxiety caused by right-wing political and religious extremes. Aware of the organic link between theatre and politics, enhanced by the fact that theatre is a public institution, he uses the space to express criticism of deliberate denunciation, suppression and forgetting, by the means of pretty literal and plastic theatre language of serving, and not of instructing or suggesting.” Anđela Vidović, Arteist