Bitef

(Gentle Desire), koję je doživelo svetsku premijeru na festivalskom programu Igračke grupę generacije koją dolazi. Te godine Fenleyeva se vrati!a u Evropu i gostovala u Italiji, a zatim učestvovala kao solista u The Dance Umbrella u Velikoj Britaniji. Tokom festivala, osim u predstavama, učestvovala je i na pet seminara u vise gradova u Engleskoj i Velsu. Grupa je 1982. putovala po zapadnoj Evropi i učestvovala na festiyalima Semaine de la Danse u Avignonu u Francuskoj, Novi Pies ’B2 u Mfinchenu, Tanz ’B2 u Beču, Novi pies ’B2 u Napulju i na koncertima u Francuskoj i Svajcarskoj. Na toj turneji grupa je prikazala petodelnu igru Praxis. Dance Theater Workshop naručio je od Molisse Fenley delo Eureka celovečemji solo-program, sa originalnom muzičkom partiturom kompozitora nove muzike Petera Gordona za otvaranje Jesenjih dogadaj a 1982. godine. U proleće 1983. grupa je sa Eurekom gostovala u Evropi i na Dalekom istoku. Fenleyeva je učestvovala na Bergenskom festivalu u Norveškoj, u Riverside Studiju u Londonu,

umetničkom centru u Hong Kongu i tokijskom Dance Work-Sha. Novembra 1983. Festival Narednog talasa, koji organizuje Brooklyn Academy of Music, imao je premijeru Hemisfera, kvartet na muziku Anthony Davisa, sa kostimima Rei Kawakubo, iz njene kolekcije Comme des Garçons, i visuelnim elementom Francesca Clementea. Hemisfere su gostovale u Australiji i Novom Zelandu raarta 1984, i bile prikazane na tumeji po Ajovi, Teksasu, Novom Meksiku i Kalifomiji aprila 1984. Molissa Fenley je dobitnik Beards Fund Fellowship za 1980, National Endowment for the Arts Choreographer’s Fellowships za 1981, 1982, 1983. i 1982. i stipendije Jerome Foundation.

Molissa Fenley Molissa Fenley was bom in Las Ve-

gas, Nevada, in 1954. In 1960 she moved with her family to Nigeria, West Africa. She returned to the United States in 1971, and received a B. A. in dance from Mills College, Oakland, California, in 1975. Subsequently she moved to New York City, created a performance ensemble in 1977, and self-produced her first performances at independent dance studios in 1978 and 1979. In 1979, The Kitchen Center for Video, Music, and Dance commissioned Molissa Fenley’s evening-length quartet, Mix. In 1980 she presented Energizer in Sweden, France, Holland, and West Germany during her first European tour, organized by The Kitchen Center. Energizer was again presented as part of The Fall Events at Dance Theater Workshop in New York City. Ms. Fenley presented ensemble work at The Holland Festival in 1981, and performed a solo at the Theatre Carre in Amsterdam for Dutch Television VPRO for live European Broadcast. Again in New York, the ensemble was filmed by French Television 1 for a special program on experimental American choreographers.

In 1981 the American Dance Festival in Raleigh, North Carolina, commissioned an ensemble work, Gentle Desire, which received its world premiere during the festival’s Emerging Generation Dance Companies series. Ms. Fenley returned to Europe to perform in Italy and to participate as a soloist for The Dance Umbrella, United Kingdom. During the festival, she performed and conducted workshops in five cities throughout England and Wales. In 1982 the ensemble traveled to Western Europe and performed at the Semaine de la Danse Festival in Avignon, France, the New Dance ’B2 Festival in Munich, West Germany, the Tanz ’B2 Festival in Vienna, Austria, the New Dance ’B2 Festival in Naples, Italy, and at concerts in France and Switzerland. During this tour the ensemble presented the five-section dance, Praxis. Molissa Fenley was commissioned ■ by Dance Theater Workshop to create Eureka, an evening-length solo with an original score by new-music composer Peter Gordon, as the opening piece for The Fall Events 1982. In Spring 1983, Eureka toured Europe and the Far East. Fenley performed at the Bergen Festival in

Norway, Riverside Studio in London, Hong Kong Art Center and at Dance Work-Sha in Tokyo. In November 1983, the Brooklyn Academy of Music’s Next Wave Festival will premiere Hemispheres, a quartet work with music by Anthony Davis, costumes by Rei Kawakubo from her “Comme des Garçons” collection and a visual element by Francesco Clemente. Hemispheres is scheduled to tour Australia and New Zealand in March of 1984 will be performed in lowa, Texas, New Mexico and California in April, 1984. Molissa Fenley is the recipient of a 1980 Beards Fund Fellowship, National Endowment for the Arts Choreographer’s Fellowships in 1981, 1982, 1983 and 1984, and a Jerome Foundation grant in 1983.

Hemisfere - 1983 Hemisfere su trio za tri žene, podeIjen u četiri de(a. Igra je postavljena i intuitivno i analitički, sugerišući mračnu zonu u kojoj postoji neizvesnost između poljâmisli i akcije: misao je neophodna da bi sè'opazile tananosti - energija (aktivnost) i dinamika igrę su samo prvi sloj igračkog iskustva. U igri se metaforički izražavaju sfere sveta i duha. Pokreti često potiču iz neke druge kulturę, pošto se koreografija smišlja na papiru: pravila se često odbacuju u studiju, ustupajući mesto intuitivnom i čulnom pristupu. Igra potiče iz manje školovanog, manje strogog izvora; shodno tome, ona postoji van granica stila iii kulturę koji bi sputavali njenu čistotu. Hemisfere su izvedene na visokom nivou fizičkog izraza koji prenosi pažnju publike sa izvođača na doživIjaj same łgre.D (Molissa Fenley)

Hemispheres - 1983 Hemispheres is a trio for three women, divided into four parts. The organization of the dance in both intuitive and analytical, suggesting a penumbra! zone where there exists an uncertainty between fields of thought and activity: thought is necessary to perceive the subtleties the energy (activity) and dynamic of the dancing is merely the first layer of the dance experience. The hemispheres of the world and of the mind are metaphorically characterized in the dance. The movements are often derived from another cultural source as the choreography is thought out on paper with rules that are often discarded in the studio in favor of a more intuitive and sensuous approach. The dancing is from a less schooled, less stringent source;

consequently it exists without the boundaries of style or culture to inhibit its purity. Hemispheres is executed at a high level Of physicality which transfers the audience’s attention from the dancers themselves onto the experience of the dance itself. □ (Molissa Fenley)

Molissa Fenley u Brooklynu Molissa Fenley i Igrački i muzički ansambl Anthony] a Davisa Episteme uleteli su u grad u četvrtak uveče sa snažnim, uzbudljivim novim nastupom u okvini Narednog talasa, pod okriljem Brooklyn Academy of Music. Prvi put se u ovoj eksperimentalnoj seriji osetio smisao za eksperiment, i to u vrlo čudnom obliku, koji je mogao da izazove strahopoštovanje. Cak je i dekor bio drugaiiji - sastojao se od paketâ malih otisaka italijanskog shkara Francesca Clemen-

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