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Keersmaeker. Muzika: György Ligeti, Eugene Ysaye. Igrači: Nordine Benchorf, Bruce Campbell) Vincent Dunoyer, Fumiyo Ikeda, Marion Levy, Nathalie Million, Carlotta Sagna, Johanne Saunier. Scenografia: Herman Sorgeloos, Anne Teresa de Keersmaeker. Operska kuća La Monnaie, Brisel, 17. novembar 1990. 1991 - 1992. Erts. Koreografija; Anne Teresa de Keersmaeker, Muzika; Ludwig van Beethoven, Anton Webem, Alfred Schnitke, Luciano Berio, Velvet Undrground. Igrači: Nordine Benchorf, Bmce Campbell, Vincent Dunoyer, Thomas Hauert, Muriel Hérault, Oliver Koch, Marion Levy, Cynthia Loemij, Nathalie Million, Anne Mousselet, Johanne Saunier, Eduardo Torroja, Samantha Van Wissen. Scenografia; Herman Sorgeloos. Halles de Schaerbeek, Brisel, 2. februar 1991. Mozart-Concert Arias ; un moto di noia. Koreografija; Anne Teresa de Keersmaeker. Muzika: Wolfgang Amadeus Mozart. Igrači; Nordine Benchorf, Marc Bruce, Bruce Campbell, Vincent Dunoyer, Phillip Egli, Joanne Fong, Thomas Hauert, Muriel Hérault, Marion Levy, Cynthia Loemij, Nathalie Million, Anne Mousselet, Johanne Saunier, Eduardo Torroja, Samantha Van Wissen. Scenografia: Herman Sorgeloos. Palais des Papes, Avinjonski festival, 30. jul 1991. 1992 - 1993. Toccata. Koreografija: Anne Teresa de Keersmaeker. Muzika; Johann Sebastian Bach. Igraä: Anne Teresa de Keersmaeker, Vincent Dunoyer, Fumiyo Ikeda, Marion Lew, Johanne Saunier. Scenografia: Herman Sorgeloos. Boers van Berlage, Amsterdam, 17. jun 1993. 1993 - 1994. Kinok. Rosa/Kinok/Grosse Fuge. Koreografija: Anne Teresa de Keersmaeker. Muzika: Béla Bartok, Thierry De Mey, Ludwig van Beethoven. Igraä: Suman Hsu, Ossman Kassen Khelili, Marion Ballester, Franck Chartier, Misha Downey, Phillip Egli, Thomas Hauert, Sarah Ludi, Christian Spuck. Scenografija Herman Sorgeloos. Lunatheater, KmstenfestivaldesArts, Brisel, 18. maj 1994. 1994 - 1995. Amor constante mas alla de la muerte. Koreografija Anne Teresa de Keersmaeker. Muzika: Thierry De Mey. Igraä: Marion Ballester, Phillip Egli, Misha Downey, Kosi Hidama, Suman Hsu, Ossman Kassen Khelili, Brice Leroux, Marion Levy, Cynthia Loemij, Mark Lorimer, Sarah Ludi, Anne Mousselet, Johanne Saunier, Samantha Van Wissen. Scenografija Herman Sorgeloos. Koninkhjk Grcus, Brisel, 30. novembar 1994. 1995 - 1996. Frwartung/VerUarte Nacbt/Begleitmusik zu einer Lichtspielszene. Koreografija: Anne Teresa de Keersmaeker.. Muzika Arnold Schönberg. Igraä: Marion Ballester, Misha Downey, Kosi Hidama, Suman Hsu, Ossman Kassen Khelili, Oliver Koch, Brice Leroux, Marion Levy, Cynthia Loemij, Mark Lorimer, Sarah Ludi, Anne Mousselet, Johanne Saunier, Samantha Van Wissen. Scenografija Gilles Aillaud. Operska kuća La Monnaie, Brisel, 4. novembar 1995. 1996 - 1997. Wood. Three movements to the music of Berg Schönberg & Wagner. Koreografija: Anne Teresa de Keersmaeker. Muzika: Thierry De Mey, Alban Berg, Arnold Schönberg, Richard Wagner. Igraä; Marion Ballester, Iris Bouche, Farooq Chaudhry,

Kosi Hidama, Suman Hsu, Oliver Koch, Sarah Ludi, Synthia Loemij, Mark Lorimer, Samantha Van Wissen. Scenografia; Gilles Aillaud, Anne Teresa de Keersmaeker, Teatro central, Sevilja, Spanija, 19. decembar 1996. Solo for Vincent. Koreografija Anne Teresa de Keersmaeker. Muzika: Heinz Hohgger, Robert Schumann. Igraä Vincent Dunoyer. Spring Dance Festival, Utreht, 20. aprii 1997. FILM I VIDEO 1989. Hoppla! Koreografija; Anne Teresa de Keersmaeker. Režija Wolfgang Kolb (16 mm; u boji) 1990. Ottone/Ottone (monolog Fumiyo Ikede). Koreografija; Anne Teresa de Keersmaeker. Režija Walter Verdin, Anne Teresa de Keersmaeker (betacam SP; cmo-beli). 1991. Ottone/Ottone I & 11. Koreografija; Anne Teresa de Keersmaeker. Režija Walter Verdin, Anne Teresa de Keersmaeker (betacam SP; u boji i cmo-beli) 1992. Rosa. Koreografija; Anne Teresa de Keersmaeker. Režija Peter Greenaway (35 mm; cmo-beli) 1993. Mozart/Materiaal (dokumentami). Režija Ana Torfs i Jürgen Persijn (betacam SP). 1994. Achterland. Koreografija i režija: Anne Teresa de Keersmaeker (35 mm; cmo-beli) 1996. Tippeke. Koreografija i igra: Anne Teresa de Keersmaeker. Režija i muzika: Thierry De Mey (super 16 mm; u boji) 1997. Rosas danst rosas. Koreografija; Anne Teresa de Keersmaeker. Režija Thierry De Mey (35 mm). ONCE Once is the crucial piece in De Keersmaeker’s work that, like it or not, alters the course of understated, even repressed emotion on which contemporary dance frustrating seems to be set. Its grandeur and the astonishing amount of emotional force created by the solo seem to signal the return of an almost repentant engagement with neglected social issues. ONCE AND JOAN BAEZ A silky, luminous voice. A young woman, barely 22, alone with her guitar. She is the daughter of a Mexican physician, Albert Vinicio, and a Scottish mother, Joan Bridge Baez, both immigrants to the USA, The photo on the album cover shows her wearing a simple, azure-blue dress, strangely beautiful with her long black hair, her profile is determined, her skin amber-toned, her soft brown eyes seem fixed on a future bursting with promise. That was 1963. The album was caüed Joan Baez in Concert, Part 2. A pearl of pure emotion, astounding grace and fervent activism. It includes die famous We shall overcome which Joan sang that previous summer, at age 21, in front 0f250,000 people during the civil rights March on Washington: die song would