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“What excites about Asentić and Vujanović’s proposal is that it does not rely on a romantic notion of the theatre as an inherently revolutionary space. Neither does it refuse to recognise the political potential of the stage for fear of naivete, or for the sake of aesthetic sophistication. Instead, it recognises that "human beings never experience reality directly but through symbols, discourses, and socially constructed narratives’ and recognises that theatre as a space in which those narratives might be fruitfully and transparently encountered.” Emily Hoffman, Movement Research Performance Journal
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New Theatre Tendencies
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