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plays (Brad Fraser's Unidentified Human Remains, Sarah Kane's 4.48 Psychosis in Warsaw and Düsseldorf), and well-loved operas (Mozart's Cos / fan tutte at Teatr Wielki in Poznan, Prokofiev's Gambler at Opera de Lyon). His readiness and enthusiasm for cutting across genres have resulted in 2007: Macbeth according to Shakespeare (2005), an almost cinematic production with the action taking place on four separate sets, and Giovanni based on Mozart's Don Giovanni and Moiiere's Don Juan, a production melding dramatic theatre and opera. Jarzyna's international reputation was established with the invitation of his productions to numerous festivals and guest performances on stages in Europe and beyond, including Moscow, Jerusalem, Berlin, Munich, Vienna, Edinburgh, Stockholm, London, Dublin, Toronto, Avignon and New York. He has won numerous prizes and distinctions, including the award of the Minister for Foreign Affairs for his outstanding contribution to promoting Poland internationally (2002) and a Gold Medal commemorating the St. Petersburg Tricentennial (2004). In 2007, Jarzyna's production of Medea at the Burgtheater in Vienna (2006) won him the Nestroy-Preis, one of the most coveted theatre awards in German-speaking countries. He was twice awarded with Konrad Swinarski Prize for the best director (1999 and 2009). His latest productions areT.E.O.R.E.M.A.T. based on the work of Pier Paolo Pasolini (premiered in February 2009) and No Matter How Hard We Tried by young Polish playwright Dorota Mastowska premiered at Schaubühne am Lehniner Platz in Berlin. JAN ENGLERT je glumac, reditelj, profesor, umetnicki direkter Narodnog pozorišta u Varšavi od 2003. Diplomirao je na Nacionalnoj pozorišnoj akademiji u Varšavi. Igrao je u predstavama vodećih poljskih reditelja: Akser, Dajmek, Gžegoevski, Jarocki, Jažina. Englert je debitovao na filmu u svojoj šesnaestoj godini u Kanalu Andžeja Vajde (1957). Od tada se pojavio u više od sto uloga u filmovma koje su reiirali Kuc, Zaorski, Morgenštern i Bajon. Igrao je u Katyn u Vajdinoj režiji 2007, filmu koji je kandidovan za Oskara. Osvojio je mnogobrojne nagrade, uključujući nagradu „Aleksander Zelwerowicz" za nasiovnu ulogu u Ričardu 111 (1994) i individualnu nagradu, koju je osnovao Britanski savet, za ulogu Marka Antonija u Sekspirovom Juliju Cezaru u izvedbi pozorišta Polski u Varšavi na Šekspirovom festivalu u Gdanjsku. DANUTA STENKA diplomirala je na Glumačkoj školi u Wybrzeze pozorištu u Gdanjsku. Članica je ansambla Narodnog pozorišta u Varšavi od 2003., a kao gošća se pojavljuje i u drugim pozorižtima, uključujući TR Warszawa, igraia je u Jažinim predstavama u TR Warszawa: The Celebration Tomasa Vinterberga i Mogensa Rukova (2001), Bash Neil Laßutea (2004), 2007: Macbeth prema Šekspiru (2005), Giovanni prema Mocartovom Don Giovanni i Molijereovom Don Žuanu (2006); predstavama Kžištofa Varlikovskog, Sofoklove Elektre (1997), Lady from the Sea prema delu Suzan Sontag u režiji Roberta Vilsona (2005) i - za Narodno pozorište - Molijereovog Tartifo u režiji Žaka Lasala (2006), Ivanov Antona Čehova u režiji Jana Englerta (2008), Glumila je u mnogim flmovima, na primer u Katynu Andžeja Vajde (2007), kandidovanom za Oskara. Dobnitica je prestižnog„Polityka Passport" i nagrade za glumu„AlejsanderZelwerowicz".