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mo-kinetic iz koga se razvio Noordnung Cosmo-kinetic Cabinet. Mada je Živadinov oduvek prevashodno zainteresovan za totalno pozorište vođeno apstraktnom umetnošću, u svojoj trecoj, postgravitacionoj umetničkoj fazi bavi se kosmosom kao realnim prostorom (pozorišta) unutar kog pokušava da realizuje prvi istinski apstraktan pozorišni komad. Totalitet njegovog umetničkog projekta mora biti shvaćen i kao mesto gde se sustiču njegov privatni život i umetničko delovanje: na kraju svog umetničkog puta i pedesetogodišnjeg projekta "Noordnung: 1995-2045", plan mu je da se lansira u orbitu i samouništi.

merit, a co-founder of Cultural Centre of European Space Technologies (KSEVT), a post-gravity artist and a candidate cosmonaut. In 1983, together with Eda Čufer and Miran Mohar, he established the Scipion Nasice Sisters Theatre, which self-terminated in 1987. This was followed by the establishment of the Red Pilot Cosmokinetic Theatre, which evolved into the Noordung Cosmokinetic Cabinet. While Živadinov has always been interested in total theatre guided by abstract art, his third, post-gravitational phase of art focuses on the cosmos as a real space of (theatre) art and strives to realise in it the first truly abstract theatre piece of art. The totality of his artistic project must also be understood in the confluence of private