RTV Theory and Practice - Special Issue

of poetic and documentary, ”played” and authentic, artificial and natural sound, as well as crossing of various periods, etc. This simultaneity of ideas and sounds which аге crossed in an acoustic space of a radio play, opens unlimited possibilities of poetic and documentary imagination and their mutual interweaving, bringing them together and apart Just in the domain of indicated specific characteristics a radio play finds its irreplaceable aesthetic and aesthetical stimuli and avoids competition with other media, theatre and television, first of all, leaving their expressive advantages and contents to them. The aim oiDrama Workshop is to improve in quality the achievements which proved to be the best, the most authentic and coherent in the former production, in order to influence the total programme structure and level of radio dramatic programme production by means of this dynamic penetrability. The basic task oiDrama Workshop is to induce those researches (documentary, special sound experiments, original poetic materialization, establishment of meaningful series from our cultural past and present, and not onlv ours) which specific characteristic and aesthetic values proved themselves partially, thus providing operative and programme assumptions for optimum production. Therefore, Drama Workshop has to face a new ”sound barrier” of radio-drama: to explore its resistance and, if possible, move it to some other, more distant point