Chinese calligraphy : an introduction to its aesthetic and technique : with 6 plates and 155 text illustratons

Lo Chén-Yii, 43, 221

Logical Combinations, see Hui-I Lu i-Chén, 222

Lung-Wei-Kou, 161

Lu Szi-Mien, 221

Magna Carta MS., 3-4

“ Manual of the Theory and Practice of Classical Theatrical Dancing, A’, 193

Man-Pu- Yao-Hsii, 180

Mao Chin, 221

Mao-pien-chih, 202

Mao-Shan, Epitaph on, 74

Mi dot, 12

Mi Fei, 12, 68, 82, 102, 123, 130, 167, 221

Ming dynasty, 65, 80, IOI, 102, 171, 219

Na, see Strokes

Na (Brush Movement), see Yung-Pi

National Museum, see Peip‘ing

Niu-Kou, 161

Northern Wei period, 65, 67, 76, 87, 89, III, 120, 125

Notched-stick, see Hsii-Chi

Nu-Kou, 160

Official style, see Li-Shu

“Old Lotus’ Chén, 86

Ou-Yang Fu, x, 222

Ou-Yang Hsiin, 68, 71, 72, 115, 151, 167, I71, 187, 192

Pa-Fen, see Styles

Pagoda of Compassionating the Characters, see Hsi-Tzu-T‘a

painting, Chinese, 207-10

P‘ai-Tieh, 172-3

Pa-Kua, 18-20

INDEX

P‘an-Lung, 162 Pao-Ch‘i district of Shensi, 46 Pao-Kou, 162 Pao Shih Ch‘eng, 222 paper, Chinese, 134, 136-7 Pa-ping, 164-5 Parallel Sentences, see Tui-T2ti Pa-Ta Shan-Jen, 87 Peip‘ing : Temple of Confucius, 46 National Museum, 47 Palace Museum, 82, 83, 84, 85, 96, 97> 98; 99, LOI, 124, 130, Plate III Pei-Szu-Tien, 155 Phonetic Compounds, see Hsing-Sheng Piao-Shih, 18 Pi-Chén-T‘u, 140 Pi-Chiu, 173-5 Picture-characters, see Hui-Tu-WenTzt Pieh, see Strokes Pten-T ‘se, 177 Pillowed Wrist, see Chen Wan P‘ing-Kou, 160 P‘ing-Na, 158 P*ing-Pieh, 158 © P‘ing-Shu-Tieh’, 222 P*ing Tén-Ké, Collection of, Shanghai, 513 55> 104 P‘ing-Tiao, 159 P*ing-Tien, 153 P*ing-Wan, 141, 142 Pi-Shih, 126 Po-Téng, 139 pottery, 211-12 printing characters, 115-18 Pu-Pat, 167, 169-70, 186

Raised Wrist, see Ti-Wan Read, Herbert, 206 ‘ Art Now’, 206

[ 227]