Bitef

elektronsko-akustičnu muziku sa žfvim instrumentima na takmičenju u Brižu i Hear nagrada madarske radio-televizijske kompanije, 1996. 1997. i 1998. dobio je Pohvalu bez nagrade na takmičenju Ars Elettronica u Lincu (Austrija). Njegova dela su ušla i u selekciju Medunarodne konferencije o kompjuterskoj muzici 1995 (Aharus), 1997 (Solun), 1999 (Peking) i 2000 (Berlin). Njegove kompozicije su izvođene na najznačajnijim medunarodnim manifestacijama, kao što su: Festival Inventionen (Berlin), Art Video Festival (Lokamo), Musik-hochschule (Keln), Teatro Coliseo (Buenos Ajres), Festival LIM (Madrid), Festival Musicalibera (Brisel), Conservatoire National de Lyon (Lion), Festival Roma Europa (Rim), Festival Ars Musica (Brisel), Merkin Hall (Njujork), Royal Theatre (Kopenhagen), Festival Musica (Strasbur), Settembre Musica (Torino), Gulbenkian Foundation (Lisabon), Centre Pompidou (Pariz), Victoria University (Novi Zeland), Fylkingen NY Musik (Stokholm), Teatro Comunaie di Ferrara Aterforum (Ferara), Mousonturm (Frankfurt), Ravenna Festival (Ravena), Festival de Musique Electroacoustique (Burž), Accademia Filarmonica (Rim), National Conservatoire (Madrid), Museet for Samtidskunst (Oslo), Mittelfest (Cividale del Friuli), Festival Musica Regola Gioco (Milano), Tsinghua University Auditorium (Peking), Teatrola Fenice (Venecija) i na nekoliko američkih univerziteta, kao što su: University of Wisconsin Adison, Northern Illinois University, North Carolina University, Backneli University, Connecticut College, Pittsburgh University, CURRICULUM VITAE "F.& A." su osnovani 1992. Izveli su Hevel-morte transizione (1992), Cantico del Cantici (1993), Introitus (1993), Rat na Balkanu (1994), Cantico del Cantici - živo izvodenje i Bez naslova (1994 ■ 1995, koprodukcija sa Teatrino Ciandestino iz Bolonje), Smreka - bajka sa grobtja (1995), Šuma vajarskl dogadaj (1995), Hlpotenuza ljubavi (1995), Sa pobožnom rukom - stanica u šuml (1996), Psalmodia (1996), Ponti in core (1996), Imaginarni život F.&A. (1997), Simfonija Majakovskog (koprodukcija sa Teatrino Ciandestino - Festival u Raveni 1997), Svačija sreća (1998), Na plavetnilu vile (1999), Romeo Uullja (1999), Nesrećna priča dvoje ljubavnika (1999), Romeo I Julija et ultra (koprodukcija La Bienalle di Venezia - Theatre section i Fanny & Alexander, 2000), Centuria (2000), Mon coeur mis a nu (2000). Od 1995. neki glumci "F.&A." su saradivali sa Teddy Bear Company na izvodenju Ba'al - Zebitb i Peep Show (1996). Godine 1997. osvojiii su nagradu Giuseppe Bartoiucci za debitantsku grupu. Sudije (Franco Quadri, Paolo Ruffini, Cristina Ventrucci, Renata Moiinari i Gianni Manzella) dali su sledeće obrazloženje za dodeljivanje nagrade: "'Fanny&Alexanderi, grupa koja puca od energije, koja na sceni ističe u prvi plan osećanje za prostor i mešanje sa figuratfvnim umetnostima. Prisustvo glumaca i glasova, povezanih primenom tehničke ekspanzije zvuka, lagano dodiruje granice postavke, ali na dvosmislen način, u kome se dramaturgija sastoji iz dekonstrukcije liturgije i obreda. I sve to je, ledenom ironijom, povezano u portret staloženog adolescentskog besa sa široko izražajnim referencama i vizionarskom zgusnutošću. Ništa manje nije važna sposobnost za rad sa drugim umetnickim realnostima i za pronalaženje novih produkcijskih metoda". Rekvijem je dobitnik Coppola i Prati nagrade za 1997. Sudije (Mauro Avogadro, Giovanna Buzzi, Gianfranco Capitta, Vincenzo Consolo,

Settembre Musica (Torino), Gulbenkian Foundation (Lisbon), Centre Pompidou (Paris), Victoria University (New Zealand), Fylkingen Ny Musik (Stockholm), Teatro Comunaie di Ferrara Aterforum, Mousonturm (Frankfurt), Ravenna Festival, Festival de Musique Electroacoustique (Bourges), Accademia Filarmonica (Roma), National Conservatoire (Madrid), Museet for Samtidskunst (Oslo), Mittelfest (Cividale del Friuli), Festival Musica Regola Gioco (Milano), Tsinghua University Auditorium (Peking), Teatro la Fenice (Venezia) and in several American Universities, such as University of Wisconsin-Madison, Northern Illinois University, North Carolina University, Backneli University. Connecticut College, Pittsburgh University. CURRICULUM VITAE F.&A. was set up in 1992. 1992: Hevel-morte transizione 1993: Cantico del Cantici; Introitus 1994: Guerra nei Balcani ; Cantico del Cantici - exposition vivanle (co-production with Teatrino Ciandestino of Bologna) 1995: Senza titolo (co-production with Teatrino Ciandestino of Bologna); II glnepro - Favola cimiteriale; La foresta - evento scultoreo; Ipotenusa đamore 1996: Con mano devota - stazione lignea; Psalmodia ; Pont! In Core 1997: Vita immaginaria di Fanny & Alexander, Sinfonia majakovsklana (co-produced with Teatrino Ciandestino Ravenna Festival ‘97) 1998: La felicita di tutti 1999: Sulla turchinita della fata ; Romeo and Juliet/Storia infellce di due amanti 2000: Romeo e Glulietta - et ultra (a co-production with La Biennale di Venezia - theatre section and Fanny & Alexander); Centuria ; Mon coeur mis a nu, 2001: Animall del sogno From 1995 some actors of F.&A. collaborate with Teddy Bear Company and put on Ba’al - Zebub and Peep Show (1996). It won the 1997 Giuseppe Bartoiucci Prize for Emerging Groups. The judges (Franco Quadri, Paolo Ruffini, Cristina Ventrucci, Renata Moiinari and Gianni Manzella) gave the following reasons for the award: "Fanny & Alexander, a group bursting with energy which on stage highlights the sense of space and a co-mingling with the figurative arts. The presence of the actors and voices, linked to the use of technical expansions of sound, grazes the confines of the installation but in an ambiguous sense in which dramaturgy consists of the breaking down of liturgies and rites. And all this is welded with icy irony into a portrait of composed adolescent fury with wide expressive references and visionary density. No less important is the ability to work with other artistic realities and invent new production methods." It won the Coppola and Prati Prize in 1997. The judges (Mauro Avogadro, Giovanna Buzzi, Gianfranco Capitta, Vincenzo Consolo, Marisa Fabbri and Franco Quadri) gave the following reasons for the award: “Very young in years but adults in practice, as is appropriate to their generation, the Fanny & Alexander kids three in their personal image but reluctant to be publicly recognized