Bitef

Ženska duša je uhvaćena s njenim najfinijim nijansama, od zlobe, sebičnosti i krajnje taštine do sloma i pravih suza - kao da se gledaju kroz strašno realistično ogledalo koje odražava sve vidljive i nevidljive bore. Reditelj (Bergman кода igra Žolt Bogdan) istrajno gestikulira u usporenom pokretu, zračeći onom vrstom energije koja se meri otkucajima sata a naglašava oštrim reflektorima ili, naprotiv, zatamnjenjem. Krici i šaputanja, potraga za Bogom, u kontrastu su sa tišinom iza apsolutne kontrole ovog „pravljenja" pozorišta i filma u pozorištu, koje je svirep rendgenski snimak života. Reditelj, u stvari, meri vlastitu usamljenost. Simona Čitan, Evenimentul zilei, 30. januar, 2010.

The feminine soul is captured in its finest nuances, from viciousness, egoism, and extreme vanity to brokenness and real tears - as if [seen] through a terribly realist mirror, which reflects all visible and invisible wrinkles. (...) The director (Bergman, played by Zsolt Bogdan) consistently gestures in slow motion with his hands, radiating a kind of energy measured by the ticking of the clocks, and accentuated by harsh spotlights or, conversely, by fading lights. Cries and whispers, the search for God, is in contrast with the silence behind the absolute control of this “making of" of theatre and film in theatre, which is a terribly cruel x-ray of life. The director is, in fact, measuring his own loneliness. Simona Chitan, Evenimentul zilei, January 30, 2010

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