Bitef

BITEF T6ATAR u poslednje dve sezone profiliše svoj repertoar и pravcu, na prvom mestu, plesnog i fizičkog teatra, ali takođe ostavlja prostorza razvoj raznovrsnih graničnih pozorišnih produkcija koje spajaju muzički ili ekperimentalni dramski teatar. Kao jedan od najvažnijih aspekata razvoja plesnog teatra u okrilju Bitefa je projekat osnivanja i razvoja BITEF DENS KOMPANIJE, prve profesionalne plesne trupe u Beogradu koja je vezana za jednu instituciju kulture. Za dve godine postojanja Bitef dens kompanija iza sebe ima čak devet plesnih produkcija, brojna gostovanja u regionu, kao i saradnju sa eminentnim domaćim i stranim koreografima - poput Isidore Stanišić, Zorana Markovića, Maše Kolar (Hrvatska), Gaja Vajcmana i Roni Haver (Izrael), zatim, Matjaža Farida, Branka Potočana, Edvarda Kluga (Slovenija), Kjersti Miler (Norveška), i Snježane Abramović (Hrvatska). Rad kompanije podrazumeva svakodnevni klasični trening, voden od strane baletskog pedagoga Marije Jankovic, trening savremenih plesnih tehnika, kao i svakodnevni rad na novim, raznovrsnim pozorisnim produkcijama.

BITEF THEATRE during the last two theatre seasons has been defining its repertoire towards primarily dance and physical theatre whilst also leaving adequate room for the development of diverse, borderline theatre productions which bring together musical or experimental dramatic theatre. One of the most significant aspects of the development of dance theatre within Bitef is the project of the founding and development of THE BITEF DANCE COMPANY, as the first professional troupe in Belgrade which is based in an institution of culture. During its two years of existence, The Bitef Dance Company has produced no less than nine dance productions, numerous guest appearances in the region, and collaborations with some of the most eminent domestic and international choreographers - such as Isidora Stanišić, Zoran Marković, Maša Kolar (Croatia), Guy Weizman and Roni Haver (Israel), as well as Matjaž Farič, Branko Potočan, Edward Clug (Slovenia), Kjersti Müller (Norway), and Snježana Abramović (Croatia). The work of the company incorporates daily classical training, under the guidance of the ballet pedagogue Marija Jankovic, training in contemporary dance techniques and daily work on new and diverse theatre productions.